Works exhibited carry familiar features: shapes, materials, lines, words and colors, objects that we have seen previously, touched, listened to and finally brought into words. At the same time, their surfaces dissolve predetermined ideas, remove context and release the information that has accumulated in our mind over time. The works intoxicate rather than inform and thus open up toward a different reading — a way into the blue. A place where similarities and parallels have been removed or distorted. A place for imagination, disconnection and recalling, where the obvious is easily glossed over.